The High Mountains of Portugal Summary and Reviews

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Cloggie Downunder

An utterly enchanting read.
“In the course of one week – Gaspar died on Monday, Dora on Thursday, his father on Sunday – his heart became undone like a bursting cocoon. Emerging from it came no butterfly but a grey moth that settled on the wall of his soul and stirred no farther”

The High Mountains of Portugal is the fourth novel by award-winning Spanish-born Canadian author, Yann Martel. In late 1904, Tomas Lobo, an assistant curator at Lisbon’s Museum of Ancient Art, sets off to the High Mountains of Portugal in search of a seventeenth century artifact that he believes to be profoundly important.

At the start of 1939, Eusebio Lozora, a Braganca hospital pathologist, is asked to perform an autopsy under strange circumstances. In the late 1980s, Canadian Senator Peter Tovy finds himself travelling with a chimpanzee from Oklahoma to a small village in the High Mountains of Portugal.

Here are three seemingly unrelated stories which inevitably intersect: three male narrators, each mourning their awful loss. But their grief does not overwhelm their stories. Martel fills his novel with unusual, different, interesting, and often amusing, elements: a brand new 4 cylinder Renault in the hands of a novice; a welcome ghost; a diary written by a missionary to slaves; the fabled Iberian rhinoceros; a very different take on the novels of Agatha Christie; a car journey across a country with a wilful chimpanzee; and a very unusual autopsy.

Martel gives the reader some wonderful descriptive prose; there is plenty of humour, some of it dark, some of it laugh-out-loud, almost slapstick; his characters are appealing, often quirky, multi-faceted, passionate and occasionally quite naive; there are interesting plots and curious sub-plots; there is profound love, deep passion and devastating loss; all of this would make rereading this novel (perhaps even several times) an unalloyed pleasure, but this one with the added bonus of uncovering even more of the numerous common elements linking each of these three loosely intersecting tales.

Martel touches on slavery, on religion, faith and saints, the ethics of primate research, how people cope with loss, the origins of man and on learning how to be in the moment, to live in the present. There are many words of wisdom and perceptive observations. He wraps it all up in brilliant prose and presents it within a wonderfully evocative cover (designed by Simone Andjelkovic). An utterly enchanting read.

A few examples of Martel’s beautiful prose:
“Loneliness comes up to him like a sniffing dog. It circles him insistently. He waves it away, but it refuses to leave”
“Every dead body is a book with a story to tell, each organ a chapter, the chapters united by a common narrative. It is Eusebio’s professional duty to read these stories, turning every page with a scalpel, and at the end of each to write a book report”
“Stories full of metaphors are by writers who play the language like a mandolin for our entertainment, novelists, poets, playwrights, and other crafters of inventions”
“Grief is a disease. We were riddled with its pockmarks, tormented by its fevers, broken by its blows. It ate at us like maggots, attacked us like lice - we scratched ourselves to the edge of madness. In the process we became as withered as crickets, as tired as old dogs”

Other books by Yann Martel at BookBrowse